Islam versus Europe

Look at this xenomaniac dunderhead. He recreates famous European paintings with Muslims and other third-world aliens in them. (See images of the originals below.) This is genocide propaganda, the intent of which is to convince us that somehow it's normal and right for we Europeans to extinguish ourselves.

Xenophobia, and especially islamophobia, is on the rise in many European countries. In my native Netherlands, as well as in Italy, Austria, Denmark and Hungary for example, anti-immigration parties are involved in the national governments. In others such as France, Sweden, Poland and the Czech Republic, similar parties are represented in national parliaments. These anti-immigration parties have thrived on resentment, anti-globalism, rising inequalities, the economic crisis and the resulting uncertainties, and are scapegoating non-western immigrants.

Given these circumstances, I feel it is important to take a stand on these developments in European society, and mobilize against intolerance and narrow-mindedness. In this series (“National Identities”), based on national cultural symbols, I give immigrants a main role by using them as models in my photographic variations on classic iconic paintings. By doing this, I question the concept of homogeneous “national identities” of European countries.

The Party for Freedom (PVV) here in the Netherlands, with its political leader Geert Wilders, demands strict measures against immigrants: itself sheltering criminals among its parliamentarians, it presents them as a safety risk for “ordinary Dutch citizens”. It demands that foreigners, especially if they are “non-white,” should assimilate and adapt to Dutch culture at break-neck speed, or else pack up and leave.

But what is this supposedly monolithic and static national culture, in Holland and elsewhere? Migration is not a new phenomenon and often, immigrants have played an influential and constructive role in different sectors of society, such as economics and culture.

The 17th century was economically and culturally Holland’s Golden Age. The percentage of immigrants in the Netherlands was about the same as it is now. One quarter to one half of all the sailors, soldiers and other employees of the Dutch colonial VOC (East-Indies Trading Company) fleet were from foreign countries. Many of the “Dutch” national figures or their offspring were immigrants themselves: philosophers Descartes (France) and Spinoza (Portugal), the great writer Joost van den Vondel (present-day Germany), painters such as Frans Hals and Gerard de Lairesse (Flanders), Govert Flinck and Caspar Netscher (Germany). These men are all considered protagonists of Dutch national culture. Many of the people in the parliament/government now who are concerned with the cultural assimilation of immigrants are they themselves descendants of immigrated foreigners.

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